This evening: the instructor has rolled out two standing punching bags. He informs us that we are to do as many Middle Punches - the fist in chamber, leveled at the ribcage, targets the opponent's solar plexus. Done correctly at full speed and assuming the other guy doesn't block it, the first two knuckles of the fist will hit that target, and the opponent will collapse like a house of cards, the wind knocked out of him. Our sa bom nim - the Master Instructor and owner of the studio - likes to tell us that one should never start a fight, but if a fight is unavoidable, one should know how to finish it.
This is my fourth class since returning. I stopped - rather, took a break - eight years ago. Ever since Lucas began - has it been two years? - I've had it in my head to join him. That whisper rose to a fever pitch over the winter. I found myself feeling a lot like Captain Willard, pacing in his Saigon hotel room, getting soft. I needed exercise - the gym is an obligation, surfing is a luxury, but this...this we could do together, father and son bonding. We'd help each other, encourage each other, make each other stronger. You put your kid in martial arts class for many reasons - teach him discipline, give him self-confidence, train him to protect himself from any bullies that might want to dole out some pain.
We grown-ups, we go for many reasons. It's a good workout - my white canvas uniform, my do-bak, is soaked through after every class. Paradoxically, it's very relaxing - your thoughts are fixed on nothing save those two knuckles, or the balls of your feet, or the edge of your hand. Everything else - bills, deadlines, that rattle coming from beneath the hood - is shut out. You move through the 22 steps of a hyung - a routine of blocks, kicks, poses, and punches - and you may as well be standing atop Mudeungsan, alone but for the leafless trees and the winds blowing down from Manchuria.
I stand in front of the bag, in the Horse stance - feet about shoulder width apart, knees bent, both fists at my side, palms up. Chambered. (It's a good term. Like bullets in a gun.) "Begin!" I throw my punches. My mind goes white. There is always a temptation to project a face onto the bag - someone who, real or imagined, wronged you. Every day is a past life, memories become myths, and all myths have their villains. And the truth of it is that that justice never finds them. Not that it matters. All that matters is that black bag. Those two knuckles pound it with a force unaffected by regrets or rage. Technique is craft, not art; craft is unswayed by emotion. Exhale as you punch, fist revolves, first two knuckles strike and drive through the target. Again. Again. Again. Again. I lose count somewhere around forty. There's Runner's High, which I know well, and there's this, a euphoria of Speed and Power. I feel eight years younger and ten pounds lighter, in flesh and in spirit. There is another dad, a belt higher than me, in the class and I'm doing something he didn't. The bag is heavy - it weighs over 200 pounds. Every time I hit it, it slides back about an inch. "Annnnnnnd...done!" My last punch - THUD! - and my bellowed ki-yap is loud, and that volume was earned. I turn, face the instructor, bow, and return to the line of students. My heart's pounding and sweat's running into my eyes. I'm totally relaxed. "Nice job!", the instructor says. "Sir!", I reply.
I've been enjoying the classes immensely. I love the camaraderie. I like the challenge of trying to remember stuff I haven't done in eight years, things that by all account I should not be able to do as I near 41. I like having these 45 minutes to take myself out of my world, and completely immerse myself in this one. I think - I know - that returning to tang soo do will be good for me, mentally and physically. And there's this, and anyone who denies it is lying: punching the shit out of something and doing it well is awesome.